Sunday, 2 September 2012
Polystyrene floats too, of course
The connection is the wind, which in France was the Mistral blowing icily from the north down the river valley, and so strongly that it whipped my glasses off my face and sent them bowling merrily over the cobblestones of pretty little Les Baux, perched on its hilltop. The glasses had already been broken, by me trying to straighten a bent arm/leg/wing after sleeping on them on the flight from Abu Dhabi, and instead snapping it right off, so that I had to wear them from then on as a kind of pince-nez, which made me feel silly and - rightly, as it turned out - insecure. That was back in mid-April, and I only got my new glasses yesterday, which is a long time to walk around behind a screen of scratches (though I did get a new arm a week later, for FREE! in Lyon).
That was also the first full day on the boat, Uniworld's River Royale - my stories have yet to be published, but I've been doing my best since then to sell the concept of river cruising to anyone who will listen, and was enthusing about it just yesterday at a party. I pretty much always enjoy all my trips (Macau and the Gold Coast are the stand-out exceptions) but the two river cruises I've done, along the Rhine and the Rhone, were both so exceptionally and completely lovely that I'm wondering already how I could wangle myself another. So much to enjoy: great food, comfortable cabins/suites (even if not huge), excellent friendly staff, unpacking only once, always having something to look at, and being deposited every time right in the centre of the towns and cities we visited. It's a brilliant way to travel, truly: not cheap (so I'm told, cough) but really worth treating yourself. Do it!
Monday, 31 December 2012
2012, wrapped up
Home again after 5 weeks away, I was anchored to the sofa for the next three months, writing, writing, writing with a cat at each side and a dog at my feet. I popped down to Christchurch for a look at my sadly shaken hometown, and was both horrified and inspired by what I saw - the vast empty spaces, blowing with dust, and the cracks in everything; but also the optimistic spirit of the people I met, and their bright plans for the future.
September saw the start of another flurry of travel, beginning with flying with Emirates to Dubai again, where I went up to the 124th floor of the Burj Khalifa, and on to Portugal for a scant 5 days mostly in the province of Alentejo where I loved the fortified hilltop villages, the gnarled olive trees, the sheep with bells on and the friendly people; but hated the food-focused itinerary and unprofessional behaviour of one of the small party.
Back home for one night, I was away again next day for a week of glorious relaxation in the Cook Islands, purely a holiday of lying about, sleeping in the sun (not recommended: the sunburn was epic and I still bear the unsightly tan-marks) and doing very little of anything. Stand-out was the day spent cruising on and wallowing in the WMBL (world's most beautiful lagoon) at Aitutaki - just perfect, in every way.
After a fun day out on the train down to Matamata for a look at the obsessive detail of Hobbiton, the year finished back on the sofa with, sadly, just the one cat now at my side. I've had 49 stories accepted for publication, about half of those in the NZ Herald, as well as writing around 30 blog entries for Air France and others for the Yahoo! website. I've been to lunches and dinners and a cooking class, learned how to take the top off a champagne bottle with a sabre, had massages, ridden a camel and a Segway, eaten insects as well as fabulous meals, and been given a huge and beautiful bouquet for my services to Australian tourism, having had over 100 stories published about that immense country. Ironic, or what?
It's been a good year and I've been to some amazing places, met lots of lovely people and written masses of stories (if you're interested in reading some of them, click on the links over there to the right). It's been busy, and tiring sometimes, but I've loved it and am looking forward to more of the, er, different: Alaska, maybe? Africa? Who knows - can't wait to find out. Watch this space!
Thursday, 18 August 2022
The only shiny things in the loo were the cockroaches
Tuesday, 22 October 2013
Hard times. No, really.
Though this was my third Uniworld Rhone story to be published, I do actually have another hanging about, looking for a home. That's quite good going for one event, I think (they are different stories, though obviously with a similar core) - and it's the only way to make any sort of money out of travel writing. Even better would be to sell the same story twice or more times, and I have done that in the past; but it's become less and less possible now, with publications automatically slapping stories up on their websites for the whole world to see. That's good for your personal overall Google-rating, but back when a newspaper story was wrapping cod and chips the next day was much better for overall recyclability.
Fairfax has gone even further in consigning travel writers to garrets by making them sign a contract dictating that not only do they have exclusive use of the story for one year (after acceptance, not publication, as some doughty writers have battled long and hard to establish) but they may also retain it online for as long as they want - which of course means that it's never going to be attractive to a different publication. Unless you didn't tell them, but it would be the work of moments for them to check, and there goes your credibility. And all this to earn, in the Fairfax newspaper sector at least, a few pence from their "tiny budget" (editor's own description) or, more likely, nothing at all, if you're willing to sell out on principle.
Fairfax's opposition APN at least pays almost what has been the going rate for, I'm told, about the last 30 years (how fabulous 40c/word must have been back last century!), but even that is under threat from the big bosses. So thank goodness for the magazines that still pay a respectable rate per word and for photos (separately), even though they're monthly at best, and extraordinarily hard to get a foothold in. All of which is to say that I'm so pleased that I'll soon be seeing my second story this year in Mindfood magazine - especially since it's the one about rhino poaching, which will hopefully galvanise some reader reaction.
Now that really would be a great excuse for a drink.
Thursday, 13 May 2021
Goghing... gone
Naturally, going to the Van Gogh Live show that came to Auckland recently was always going to remind me of Arles. The show is a multi-screen projection of a good selection of his paintings, from early to last, with a bit of modest animation in some of them. The screens are all around the arena, at different angles and heights, and there are several paintings projected at once, so you have to keep looking around - including on the floor (though clearly not everyone felt that responsibility).
Each set has an accompanying quote from his letters or diary, in a handwriting font that takes a bit of effort to read, and the pace is brisk enough that it's far from a relaxing experience. It's good, though, and his paintings, especially the starry night ones, really benefit from the large-scale, super-bright treatment. It's fairly short, so I watched it twice. Overall, though, the story is sad. Poor man. He sold only one painting in his (self-shortened) lifetime.
Regular 😀 readers will recall that I went to Arles back in - sigh - 2012, beginning a river cruise there with Uniworld along the Rhone, which finished in Lyon. Arles is where Van Gogh spent his most productive, if dramatic, years, and on a tour around that lovely, and appealingly lived-in, town, we visited a number of the scenes that he painted, most memorably the yellow Café la Nuit.
Incidentally, the self-portrait with the bandaged ear confuses a lot of people: it was the left ear that he sliced at (possibly off) with the knife, but the picture shows his right ear bandaged, because he was painting his actual mirror image.
Anyway, it was several days later, when fishing the next clean coffee mug out of the drawer, that I saw it was decorated with one of his swirly cypress paintings. I'd forgotten all about it - and also, where I'd bought it. So that occupied me on and off for a few more days, until the mug reappeared in the morning coffee cycle. I suddenly remembered then that I'd bought it at the National Gallery in London, where I'd gone on a Silversea cruise in - sigh - 2019.
Shamefully, despite having lived in England for years and going to London many times, it was my first visit to the gallery - it was always one of those 'next time' things. If nothing else, recent events should have taught us not to put stuff off, don't you think? Just made that one in time.
That was a chastening lesson, but I was still quietly triumphant about having remembered where I'd bought the mug. Turns out, though, that all I had to do was turn it over.
Thursday, 25 July 2013
Bon appétit
Saturday, 11 May 2013
Ballet and burgers
It reminded me of Lyon, where on our route march down from the basilica on top of the hill through all the hidden alleyways and narrow lanes, we passed a restaurant with huge nutcrackers in the window. It was one of our stops on the Uniworld cruise up the Rhone - it was here that we took a left turn into the Saone - and the biggest city on the route. Our tour ended near Le Sud restaurant, one of Paul Bocuse's establishments, which balanced out the McBaguette ads we'd walked past, though I was still alarmed to see in Monoprix ready-assembled burgers requiring just a quick nuke to be ready to feast upon. Hummm, indeed.
Others spent the afternoon's free time in the restaurant and/or the shops, but since I was working, I tried out this museum of automatons, which turned out to be rather sweet, full of older ladies with grandchildren they were trying to keep focused on filling out a worksheet while the kids just rushed, enchanted, from one tableau to the next. I was quite taken with them all myself, despite their being rather primitive: charmingly so, really, and very French in their subjects. Quasimodo was there with Esmeralda, there were bucolic country scenes with peasants harvesting the grapes, the priest in a town square where old men gambled with cards behind his back, and a scene from Jules Verne's Twenty Thousand Leagues under the Sea, with a remarkably handsome Captain Nemo centre stage. As I said, very French...


